Surfadelic Presents: Inner Planet Punk!

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Yeah! This is planet Mars, red planet, a planet that symbolize high energy and violence. In this case it represents high energy rock’n’roll and punk rock! As you can see, lately I’m in the “punk mood” so I’ve made another collection with some of my favorite 70’s & 80’s punk rock tunes. It features bands as The Customs and DMZ from Boston, The Pagans from Ohio, The Boys, Fallen Angels, The Professionals, Chelsea, The Vibrators and Generation X from London, The Jolt from Scotland, F.U.2 [with members of legendary 60’s garage band Downliners Sect], Fun Things from Australia, The Barracudas, Lazy Cowgirls, Nervous Eaters, The Joneses… 25 trax of killer high energy rockin’ & rollin’. It’s a Surfadelic PUNK ROCK EXPLOSION! Dig!!!

 

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CINECYDE – I Left My Heart in Detroit City [1982]

I Left My Heart in Detroit City

 

This is debut LP by somehow overlooked Detroit new wave punkers formed in 1977. It’s turn out to be a gem full of hard rocking melodic punk tunes as Don’t Come Crying To Me, Better Dead, Wondering Why, Girls Who Play Tricks On You, Wake Up, I Don’t Want Nothin’ From You…  Somehow reminds me on X. Vinyl rip of 10 trax lp + 4 bonus cuts. Check some favs down below ‘n’ Dig!!!

 

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Surfadelic Presents: Punks In Thee Garage!

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This Surfadelic compilation is dedicated to 70’s & 80’s punk and new wave bands those who dared to cover some of their 60’s heroes like The Sonics, The Seeds, the Standells, The Wailers, The Kingsmen, The Music Machine, Paul Revere & The Raiders, The Chocolate Watchband, The Shadows of Knight, The Doors… 

As you know many 70’s punkers were fans of 60’s mod & garage rock bands. Boston garage punkers DMZ were one of the first to dig into 60’s punk legacy. Wayne County of The Electric Chairs is a big fan of sixties garage bands, Nuggets and stuff and made maybe the definitive version of The Electric Prunes ’67 classic “I Had Too Much to Dream Last Night”. The Cramps create their whole style and career around the covers of 50’s & 60’s r-billy, trash and garage loosers. Some bands like UK The Inmates, a pub rockers which were not expected to dig US garage rock but did just that with cool cover of The Standells hit “Dirty Water”. You’re already familiar with Johnny Thunders & Patti Palladin silky cover of the Seeds “Can’t Seem To Make You Mine”. NY proto-punkers The Dictators covered “California Sun” well before their neighbors the Ramones. Bebe Buell [ya know Bebe?] sings “My Little Red Book” anyone cares? There’s an really cool cover of “I Never Loved Her” [originaly by The Starfires from Pebbles 8] by The Vogue, little known new wave group from Vienna. Todd Clark Group did a great job with Paul Revere & The Raiders hit “Hungry”. Also you can hear Hollywood Brats doin’ The Kinks’ “I Need You”, The Undertones cover of CWB classic “Let’s Talk About Girls”, Pagans with “Little Black Egg” etc. The most recent cover is from 1990. by my fav garage punkers The Devil Dogs doin’ great cover of The Shadows of Knight classic “I’m Gonna Make You Mine”. 26 trax of supercool garage-punk-new wave action Surfadelic style! Enjoy!

 

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JAYNE/WAYNE COUNTY & THE ELECTRIC CHAIRS – Let Your Backbone Slip / Rock ‘n Roll Cleopatra [Transgender Punk Rock]

 

Jimi played guitar with rock and roll cool.
You wanna dirty sound you’ve got to treat your guitar cruel.
Manic depresssion’s gonna take you higher.
If you wanna make hot love you’ve gotta stand next to your fire.
[”Rock & Roll Resurrection” 1978]”

Jayne County was the John Waters of rock music, crafting blatantly offensive and goofy music that delivered mean-spirited entertainment and a hilarious freak show. Bragging up her own importance on virtually every other song, some of County’s best music can be found on this compilation. “Storm the Gates of Heaven” is one of the most silly, offensive, angry, and campy songs to grace the punk movement, delivering a disdain for Christianity with tongue firmly in cheek and middle finger proudly raised. Elsewhere she chastises those who won’t take her home (“Fuck Off”), celebrates the twisted men who go through her life (“Mean Muthafuckin’ Man”), and sings a tribute to filthy bathroom affairs (“Toilet Love”). Vile, nasty, and hilarious, County is obviously not for everyone. In fact, as the years go by, the audience who would enjoy her routine seems to get narrower and narrower. But this is a document of an important performance artist; in the ’70s her live shows couldn’t be touched for sheer energy and entertainment. And these songs were the backbone of those shows; even if they weren’t always good, they at least had the charismatic snarl of County delivering their hideous message. For anyone curious about the New York punk scene, this is high-priority stuff even if it contains some of the least-important music of the period. County, like many punk musicians, has overcome her talents to become a personality, and that personality is strong enough to make this a recommended collection. [Bradley Torreano]

”Rock me Jesus, roll me lord. Wash me in the blood of rock and roll”

 

”Jim was the master of show and tell.
You wanna go to heaven you gotta raise some hell.
The crystal ship is sinking. The ocean waves are rough.
If you wanna get down you’ve got to learn to get it up.”

 

Ambitious, eclectic, and absolutely contagious, Let Your Backbone Slip is the successor to the dynamite Rock ‘N Roll Cleopatra, a compilation that trawls a back catalog that too many people overlook — but which most would certainly enjoy. Image and reputation notwithstanding, Jayne County’s songwriting and performance evince an understanding of pop at its purest, one long series of electrifying jolts that evoke memories of a golden era as readily as they pinpoint the purpose of the modern age. That the modern age was usually too busy contemplating other charms at the time is its own problem. Chronologically, Let Your Backbone Slip opens by rounding up material from the first two Electric Chairs albums that was omitted from the earlier set; the avoidance of the group’s third LP, the sensational Things Your Mother Never Told You, meanwhile, is at least partially remedied by the inclusion of three tracks from a 1979 BBC session. In truth, the performances are nowhere near as great as the originals — “Berlin” is too fast, “Waiting for the Marines” is too straight — but they’re a fine inclusion regardless. The heart of Let Your Backbone Slip, however, delves into County’s 1980s material, a period that received precious little attention at the time and allowed two excellent albums, Betty Grable’s Legs and Private Oyster, to pass by unnoticed. Six tracks from the latter include the anthemic “Are You a Boy or Are You a Girl?,” the Cossack-themed “I Fell in Love With a Russian Soldier,” and the exquisite ’60s girl group pastiche “The Lady Dye Twist” (chorus: “I want a wedding just like Lady Diana”), all three of which insist that County’s grasp of rock & trash/kitsch & roll is as tight as it ever was at the height of her earlier, New York-centric fame. County’s true appeal, however, exceeds whatever parameters that description might lay out. Great pop music should be sexy, fun, moving, and motivating. From the deifying “Max’s” to the cruel “Bad in Bed,” from the mocking “Mr Normal” to the moving “Love Lives on Lies,” Let Your Backbone Slip is all four — and then some. [Dave Thompson]

 

”Speed demon, Hell is for heroes, I’m told
Speed demon, Lake of fire and brimestone
World War I, World War II,
World War III, that’s me and you

 

Collections of recordings from the first transsexual star of Punk rock which is definitively not for the faint of heart. Wayne started out doing impersonations of Cher, Dusty Springfield and Janis Joplin before finding his way with the Electric Chairs and spearheading the Punk movement of the mid-west. She shocked, she outraged, she pulled no punches. Her in-your-face attitude empowered her followers and helped usher the late ’70s Punk movement into the mainstream. These two comps feature 2 x 20 tracks from albums, singles and rare EP’s. Jayne/Wayne’s is one of the greatest unsung heroes of the early N.Y. punk scene. I’ve already posted his/hers entire catalogue but these are great best of collections, a MUST HAVE for punkers and other r’n’r’ faces. It’s a ”Transgender Rock ‘n Roll” alright! Dig!!!

 

”If you wanna rock and roll resurrection
you gotta have a rock and roll reformation.”

 

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BUZZCOCKS – Beating Hearts / Small Songs With Big Hearts [Live! 1978/79]

 

And now the real punk classics! Legendary Manchester pop punkers 70’s live action issued on two double LP sets by Get Back records. ‘Beating Hearts’ recorded live at Apollo theatre, Manchester in ’78 and ‘Small Songs With Big Hearts’ from London Rainbow theatre ’79. Almost feel like I’m Sixteen Againalright, Dig!!!

 

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POWERPEARLS Vol.1-10 [70’s/80’s Worldwide New Wave/Power Pop/Punk Rarities]

 

Ten volumes unofficial lp collection series of mostly rare late 70’s/ early 80’s mod, pop, punk and new wave from all over the globe. Some fine power pop stuff mixed with some rather lame tunes. You can find well known acts as The Only Ones. The Records, The Barracudas, Plimsouls, Shoes, Stiv Bators, Rich Kids … Quality varies from part to part with vol. 10 being the weakest one. Anyways, there are enough cool shit to dig alright?! Dig!

 

BINGO! French Punk Exploitation 1978-1981/ PAINK – French Punk Anthems 1977-1982

 

”In the face of Plastic Bertrand’s huge success ‘Ça Plane Pour Moi’, big labels in France thought they understood how it worked. Very soon, music publishers and majors all wanted a punk hit. Barclay, RCA, Polydor… all of ’em wanted their own ‘Ça Plane Pour Moi’. Sure, most of these punk hoaxes are as lousy as it gets, but one must admit that some of these cuts managed to stand out and surprise.”

More French punk in these two Born Bad Records comps. While Bingo! is punk exploitation oriented collection with many tunes you could already hear on ”Je Suis Punk” lp [Bingo! has improved sound quality], Paink deals with more angry real punks. Anyways, both comps have great sound + Surfadelic bonus with Guilty Razors ’78. Ep, Warm Gun ’77. single and more punk surprises. And now en français: Vive Le Punk!

 

 

WHO’S A PUNK? / JE SUIS PUNK – The Very Best of British & European Punksploitation

 

 

”First came ‘Je Suis Punk”, a collection of unheard French Punk “punksploitation” obscurities (i.e. band’s who were created to – or changed their sound in order to cash in on the burgeoning “punk fad”), and now comes “Who’s A Punk?” – the British counterpart to those finicky Francs. LOADED with razor-sharp riffs and catchy as hell melodies designed to make you pogo your safety pins right off!”

”Absolutely scorching compilations of what is known, alternately, as either “fake punk” or “punksploitation;” in other words, the short-lived practice of putting together a group of seasoned session musicians and asking them to produce a loud and crude punk single in order to quickly cash in on the punk “fad” that was peaking in the late 70s. You would think that this would be a recipe for disaster, but in practice it’s actually great. To me, it’s the best of both worlds; you have people who are seasoned veterans at writing and arranging songs, but you’re asking them to do something very immediate, loose, and off the cuff. So, what you end up with is very well-written and well-arranged songs that are kind of deliberately stupid. What could be better? If you have a Crass tattoo or something I could see finding this whole scene kind of offensive, but if you like a lot of those early British punk groups who were actually around before punk but adopted the look in order to ride the wave of punk’s popularity–bands like the Boys, Slaughter and the Dogs, the Vibrators, maybe even the UK Subs and Cock Sparrer–then you will absolutely love this compilation… there isn’t a dud on it.”

Vinyl rip of these two great unofficial comps with rare UK & French late 70’s early 80’s punk/new wave exploitation gems. Fake punk rules! Do you feel lucky, well, do ya, punk?

IGGY POP – Real Wild Child [Live in Volkshaus, Zürich, 1986]

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Another live recording from Volkshaus, Zürich, Switzerland issued on The Swingin’ Pig label , specialized in bootlegs. Iggy was on “Blah Blah Blah” tour to promote his brand new hit album, so it’s interesting to hear fresh variations of his older, and classic stuff. Sound quality is great, so gimme danger ‘n’ Dig !!!

 

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