“Wow, another one in this great series!! Here’s the fifth volume of the ‘Tabu’ compilation series. More jungle exotica, sleaze and strip music for fans of Las Vegas Grind! type of music. Another fantastic compilation! Play this record and girls will start stripping instantly. More bongos, insane sax… Tittyshakers, ass-shakin’ killers from ’50s and ’60s!”
Mirza is da man. Check this crazy latin [Salsa, Rumba, Batucada] renditions of Fab 4’s classic tunes done by the cream of London’s top session musicians. If ya love The Beatles you gonna love them more, if you hate ’em well… who knows? Perfect lounge stuff for drunken parties. Cheers!
”Mamie Van Doren is an American actress, model, singer and sex symbol who is known for being one of the first actresses to recreate the look of Marilyn Monroe. Van Doren is perhaps best remembered for the rock ‘n’ roll, juvenile delinquency, exploitation movie Untamed Youth (1957), and other films of this calibre.
Van Doren went to star in several bad girl movies that later became cult films. She also appeared in some of the first movies to feature rock ‘n’ roll music and became identified with this rebellious style, and made some rock records.
Some of Van Doren’s more noteworthy movies include Teacher’s Pet (1958) at Paramount Pictures, Born Reckless (1958) at Warner Brothers, High School Confidential (1958) and The Beat Generation (1959), the latter two at Metro-Goldwyn-Mayer. But Van Doren was just as well known for her provocative roles. She was in prison for Girls Town (1959), which provoked censors with a shower scene where audiences could see Van Doren’s naked back. As Eve in The Private Lives of Adam and Eve (1960) she wore only fig leaves, and in other films, like The Beautiful Legs of Sabrina (1959), Sex Kittens Go to College (1960) and Vice Raid (1960) audiences were clued in as to the nature of the films from the titles.” [wiki]
Movie starlet Mamie Van Doren displaying her sexy, come-hither look, during acting exercise at Universal International’s talent school. (Photo by Loomis Dean//Time Life Pictures/Getty Images)
Mamie Van Doren-1955
Ooh Ba La Baby!
Don’t know if she invented R’n’R but this Rhino rec. collection of Mamie’s 1957-67 recordings is a real cool mix of rockers, ballads, exotica and calypso with tittyshakin’ flavor. First tunes I’ve heard were from ’64 single ”The Bikini With No Top On The Top/So What Else Is New” with Mamie and another 60’s bombshell June Wilkinson, great summer beach fun exploatation [my fav]. Other cool stuff is ’67 ”The Boy’s Catchers Theme” and colaboration with rock legend Eddie Cochran in ”The Beat Generation”, ”Ooh Ba La Baby!”, ”Rollin’ Stone”, ”Salamander” and ”Go Go Calypso!”. Say… Mmmm Mamie!
”Uhoh Baby ! Legendary…One of the very first of Lux Interior’s Vip Vop Tapes to make it onto vinyl way back in the late 1980’s…..This is a limited edition pressing from the USA, the original 1st pressings say Australia (Like the Born Bad series)…..Crazed mix of Rockabilly, Surf, movie clips and a dash of R&B !….Just what the good Dr ordered! Get it while you can!”
Lux’s warm up tape, similar concept to ”Wavy Gravy” with great ridiculous horror & trash flics trailers between [mostly instro tittyshakin’] trax. Don’t miss it! Do The Pig! Dig!!!
”The Flee-Rekkers were a sax-led unit with a full, aggressive sound. The spelling of their name was never consistent. The group was named after their leader, Peter Fleerackers, whose father was Dutch. On the Triumph pressings of their first single, this became “Flee-Rakkers”, which evolved into “Flee-Rekkers” when they moved to the Pye label. The Flee-Rekkers were probably the first instrumental group recorded by Joe Meek in his studio on Holloway Road and their first record, “Green Jeans” (an adaptation of Greensleeves) was released on Meek’s own, short-lived Triumph label. Acute problems arising from the inability to press sufficient copies and distribute them adequately meant that “Green Jeans” stalled at # 23 in the charts, where it had a 13-week run, from May until August 1960. When Triumph folded, the record was reissued by Top Rank, which also went into liquidation, before it was taken over by EMI. Notwithstanding this bad luck, the group went on to cut six collectable singles and an EP on Pye/Piccadilly, but they would not enter the charts again.”
”Apart from Fleerackers, who played tenor sax, the group consisted of Dave Cameron (lead guitar), Alan Monger (rhythm guitar, occasionally baritone sax), Doug Henning (bass), Derek Skinner (drums, soon replaced by Mickey Waller) and a second tenor sax player, Elmy Durrant. Fleerackers liked the Johnny and the Hurricanes sound, whilst Cameron was a great Duane Eddy fan. These were the main influences of the group, though on some recordings they also remind me of the Piltdown Men, another group with twin saxes out front. Their material was a mix of original compositions, old folk tunes in the public domain and covers of little-known instrumentals, like “Stage To Cimarron” by Santo and Johnny. The Flees turned professional after being discovered in West London’s “Hive of Jive” Putney Ballroom. They toured Britain extensively during the period 1960-1963. By all accounts they were a wild live act. Joe Meek certainly managed to capture the group’s pulsating sound in his studio. As usual with his liberal use of echo, reverb, compression, distortion and other unusual effects, he was able to make the group sound even more full-blooded. “Fireball” was the Flee-Rekkers’ final single in 1963. The group broke up after a summer season at Blackpool in August 1963.” [This Is My Story]
Triumph RGM 1008 – Green Jeans / You Are My Sunshine (4/60)
Top Rank JAR 431 – Green Jeans / You Are My Sunshine (8/60)
Pye N 15288 – Sunday Date / Shiftless Sam (9/60)
Pye N 15326 – Blue Tango / Bitter Rice (2/61)
Piccadilly N 35006 – Lone Rider / Miller Like Wow! (6/61)
Piccadilly N 35048 – Stage to Cimarron / Twistin’ the Chestnuts (5/62)
Piccadilly N 35081 – Sunburst / Black Buffalo (10/62)
Piccadilly N 35109 – Fireball / Fandango (2/63)
Pye NEP 24141 – The Fabulous Flee-Rekkers (5/61)
(Isle Of Capri / Brer Robert / Hangover / P.F.B.)
Pye Records PYEP 2048 – X-L-5 (Fireball) (1963)
Solid collection of 45’s by these Joe Meek’s instro rockers influenced by Duane Eddy, The Champs and stuff, recorded from 1960-63. Check-em out! Gid!!!
Holla amigos! What time it is? Summertime’s here and It’s right time for another ”Instrummentón En La Cuadra” comp. It’s so cool I wish it was made by me but the truth is it was made by my dear Spanish friend Jose from fabulousTommentonenlacuadra blogspot. You surely know that he’s a big fan and connoisseur of 60’s garage rock, mod, beat and psych but he also digs real cool instrumental stuff. This is one of the most interesting instro collections I’ve heard recently, as it gathers various genres in one place and it’s function like a soundtrack for some lost 60’s flick. Here you got Sci-fi, Exotica, Psych, R&B, Lounge, Surf, Garage & Soundtrack instumental tunes mostly by some less known artists and groups. I’ve put some of my favorites below, so check it out! Hey hombre, olé dig!!!
The Gurus Are Hear! was actually advertised in Billboard and Cashbox in 1967, but the album was canceled only a few weeks before its projected release. More than 35 years later, it finally emerged as this Sundazed CD, augmented naturally by five bonus cuts. So is it just as mysterious and exotic as psychedelic collectors suspected? Not exactly, but it’s a pretty interesting if slightly contrived and kitschy hybrid of psychedelic rock and Middle Eastern music. As it turns out, the best of their demented anguished-psychedelia-in-a-falafel-restaurant-bellydancing-room had already been issued on their two singles (both sides of which are included on the album). From those 45s, “Come Girl,” “Blue Snow Night,” and “Everybody’s Got to Be Alone Sometime” are genuinely fine and rather ahead-of-their-time songs. Singer John Lieto howls like a pained cantor while the band plays psychedelia fit for a harem, with oud trills, raga-rock electric guitar, bent notes, and tortured minor keys aplenty, though not bereft of some garage rock energy and hooks. The other songs aren’t quite up to that level, aren’t terribly varied, and are sometimes quite a bit more pop-oriented and normal-sounding, with “Contact” penned by the Bonner-Gordon team of “Happy Together” fame. But not all of those extra cuts are unmemorable, the band totally overhauling “Louie Louie” into a dervish-swirling dance that must rank as one of the weirdest covers of this covered-to-death song. And you’ve gotta love a song (“Shaker Life”) with the line “Come life eternal, shake it out of me, all that is carnal,” set to a tune and beat like “Twist and Shout” gone to temple. The less essential bonus tracks include another Bonner-Gordon tune, “They All Got Carried Away,” and alternate versions (one of them wholly instrumental) of four songs from the album. [AllMusic Review by Richie Unterberge]
”This cd basically rocks from start to finish but there are a couple of throwaways. The ones that aren’t strong are the more polished mainstream pop efforts which don’t bare much of a resemblance to their sound. But otherwise this band had a very innovative and interesting early psychedelic sound, which occasionally reminds me of The Music Machine. Their sound is characterized by banging bongos, fuzzed out guitar solos, Yelping vocals, strange middle-eastern instruments, and a hypnotizing overall vibe. THis is a nice breath of fresh air for all you garage/psych heads that have already bought everything else from 66-69. enjoy!” [Amazon Customer Reviews]
Hola muchachos! Summer’s almost gone… but hey!… not before I put some fine instro comp. This here is a real cool collection of mostly 60’s instros gathered by my dear friend Jose from famous Tommentonenlacuadra blogspot. Here you gotta deal with wide spectre of genres, from R&B, Exotica, Lounge to Surf, R’n’R, Garage & Soundtrack tunes. A pretty tasty mix of some well and some less known acts for your wyld summer vacation. Hey hombre, say dig!!!
01 – Georgie Fame & the Blue Flames – Night Train 02 – Los Shains – Shains A-Go-Go 03 – Big Bo & The Arrows – Bog Bo’s Iron Horse 04 – The Dakotas – Magic Carpet 05 – Al Garcia & The Rhythm Kings – Latin Twist 06 – The Rolling Stones – 2120 South Michigan Avenue 07 – Link Wray And His Ray Men – Jack The Ripper 08 – The Sounds Incorporated – Tarzan 09 – The Ventures – Comin Home Baby 10 – Brian Fahey & His Orchestra – At The Sign Of The Swingin’ Cymbal 11 – Cyril Davies & His Rhythm & Blues All Stars – Country Line Special 12 – Renato E Seus Blue Caps – We Like Birdland 13 – Los Flecos – Distinta (Instrumental) 14 – Johnny Clark – Jungle Stomp 15 – Ennio Morricone – Per Qualche Dollari In Piu 16 – Hal Blaine – The Phantom Drive 17 – The Purple Canteen – If You Like it That Way 18 – The Cords – Ghost Power 19 – The Frantics – The Whip 20 – The Sounds Incorporated – Last Night 21 – Farewell
More 50′ & 60s Titty Twisters! Sax driven R&B instros for eye poppin’ burlesque action.
01. Jesse Price – Pizza Beat 02. The Fifty Milers – The Grunt 03. The Starlighters – Creepin’ 04. The Nobelman – Dragon Walk 05. Dick D’Agostin – Night Walk 06. The Nobles – Black Widow 07. The Rockin’ R’s – The Mix 08. Dave Hamilton and His Peppers – Cooter Bug 09. J.C. Davis – The Splib, Pt. I 10. Porky Harris and His Fantabulous 5 – Pig Pen 11. Jake Porter – Way Out East 12. Tony March and Bill David’s Roomates – Show Down 13. Dick Dixon and The Roomates – The Catrepillar Crawl 14. The Lincolns – Night Drag 15. The Escapades – Tomcat