Vinyl rip of this REAL COOL soundtrack featuring guitar hero Davie Allan along with members of the Riptides [as The Back-Wash Rhythm Band] and other West Coast studio vets as Harley Hatcher, Jerry Styner, Guy Hemric and Mike Curb. Fav tunes: What Turns You On, Coral Below, High Rise, Over The Falls, Waimea Bay, Surfers Paridise. Don’t miss this wave. Dig!
This one is dedicated to Davie Allan “King of Fuzz” and his 60’s soundtracks vocal sides. As you know, Davie and his crew were wery busy during sixties as a studio musicians on many American International exploatation movies soundtracks as Born Losers, Teenage Rebellion, The Glory Stompers, Devils Angels, The Wild Angels, Thunder Alley, Riot On Sunset Strip, The Golden Breed and others. You’re already familiar with Davie’s fuzzed-out instro stuff but this Surfadelic comp especially concentrate on vocal tunes from his numerous collaborations with other acts as instro back-up and appearances under different monikers like Max Frost & The Troopers, The Back-Wash Rhythm Band, The Sidewalk Sounds, Jerry And The Portraits, Hands Of Time, Glass Family… 20 trax of real cool soundtracks stuff + one rare single side “Granny Goose”. Don’t miss this, dig!!!
This ain’t no jazz but a real nice funky instro lounge lp on Hoctor Records [known for library music, dance instruction records for instructors, professionals, and students]. 12 trax instro covers played by the Hoctor Band, treatment of classics originaly by Curtis Mayfield, Barry White, Steely Dan, Carole King, D. Boone… Rare stuff, dig!!!
More TV shows & film music scores produced by the British KPM company. Excellent library music from the legendary KPM label with lots of fuzz guitar and organ in addition to the famous drum breaks. Funky primo library music. Two of the best KPM albums + ’68 bonus. Say… Dig!!!
Music for TV Dinners is a compilation of music composed by artists working for KPM, a British firm that developed a niche for providing music scores for commercial and industrial films during the 1950’s and 1960’s.
“These sixteen production library compositions, used variously in educational shorts, commercials, television shows and feature films, constitute some of the most invisible, yet best remembered, musical melodies in American culture. Even stranger is that most of this music was produced by the British KPM company. Further examples (including EMI and Pye’s contributions to the canon) can be found on UK anthologies such as “The Sound Gallery” and “The Sound Spectrum.” The collected composers and arrangers construct brilliantly memorable productions whose purpose is to serve as musical beds beneath narration or to signal mood and plot shifts in films and television programs.
Though not designed as firmly for the background as true Muzak [tm], there is still an unnerving contextual shift in compiling these tracks for foreground listening. Though originally used in more subliminal contexts, these tunes have been drawn on in recent years as a simple way to evoke nostalgic moods, with or without irony in mind. In addition to appearances on boomer throwbacks like Nick at Night and Ren & Stimpy, these titles also appear in films like “The Hudsucker Proxy” and “Natural Born Killers.” The most recognizable tune (at least, for 1960’s television viewers) will be Wilfred Burns’ “Stop Gap,” which served as the theme to “Truth or Consequences.” You can’t help but feel that Bob Barker will step out in front of the curtain at any moment.
As calculated as this music may be, its composition, arrangement and performance hold tremendous charms. This is more mood music than easy listening, in that its purpose is to attract your attention and shape your experience, rather than provide any sort of sedation. Many of the musical cues will haunt you with inscrutably faint memories of products like Vaseline Intensive Care Lotion and Midol. This is an excellent volume for listening or for adding unique musical cues to your home video.”
“For, ahem, more mature listeners such as myself, the tunes will absolutely remind you of your childhood shopping trips to Sears/JC Penneys to buy school clothes, and of the game shows on the old black-and-white teevee. The tunes are perfect for vacuuming/ironing/washing dishes to.”
“Better Title: Music For Happy Shoppers!” “Wrap my World in Foil and Heat It Up” “Yeah, Baby, Yeah!”
Thunder Alley is American International car racing movie featuring 60’s teen idols Fabian and Anette. As on the most Sidewalk soundtracks here you got Davie Allan & the Arrows under the pseudonym The Sidewalk Sounds with couple of cool fuzzed-out instros ”Pete’s Orgy” and ”Theme From Thunder Alley”, which are the best trax on this soundtrack beside Eddie Beram’s ”Riot In Thunder Alley” and The Band Without A Name [later turned into The American Revolution] two garage tunes ”Time After Time” and ”Theme From Thunder Alley” [vocal version]. Also there are couple of songs by Anette. Say… Dig!
“Italian soundtracks from the late 60s to mid 70s are practically a genre to themselves and have long been a treasure trove for those who seek unique jazzy psychedelic beats. The Psych Jazzy Beat of I Marc 4, features the music of one of the top recording quartets of Italian soundtracks, I Marc 4. The members of this quartet all came from a jazz background and originally grouped together in the mid-60s with the purpose of supporting various high profile vocalists. The backing band to the most admired composers of the ’70s, from Ennio Morricone to Piero Umiliani, I Marc 4 had a unique “Italian soundtrack” style. I Marc 4 recorded several albums on their Nelson label between 1970 and 1976, featuring Antonello Vannucchi‘s incredible use of his Hammond C3, Roberto Podio‘s kicking rhythm section, and the legendary Maurizio Maiorana on bass, not to forget the real soul of the band, their guitar player, Carlo Pes. In the late 60s they moved on to being soundtrack composers whose instrumental works would then be collected and released on LPs. Psychedelic rock, soul jazz, brassy Herb Alpert style numbers, spacey exotic lounge music, goofy country funk, proto-progressive rock are the easily recognizable genres coexisting in this retrospective of one of the most hidden treasures of the Italian psych-jazz scene.”
Somethin’ like ”Songs Man Or Astroman Taught Us”. This unofficial collection gathered 60’s instumentals, mostly surf/sci-fi with few movies/tv series themes [as Edwin Astley ”High Wire”[Danger Man], The Jetsons Theme , Jerry Goldsmith ”The Man From U.N.C.L.E” , Jack Marshall’s ”The Munsters Theme”, and John Barry’s ”Goldfinger’‘]. Here you got classic surf acts as The Ventures, Dick Dale, Link Wray, The Markettes, The Original Surfaris, The Revels, Eddie & The Showmen, The Chantays and others. Loads of interplanetary, outer-space surfin’ action! Say… Dig!!!
…Kinda like a “Hells Angels on surfboards” or “Surfin’ Angels on Hellboards” or… whatever. Anyways it’s another Surfadelic production, a soundtrack for secret Tarantino/Rodriguez movie project that never existed. So it shoulda be fuzzed-out instro action, mean mutha that’ll leave you brathless. Gathered here are some of Surfadelic alltime favs from 60’s biker and other rare exploatation lps as well from surfin’/hot rod field. You gotta check those evil muthas yourself. As Blues [Peter Fonda] once said “Oh no, Preach, not children of God – but Hells Angels”. Hoka hey! Dig!!!