This is one of my favorite compilation lp’s I bought in the early 90’s. It’s a collection of singles issued by famous BOMP records in 70’s & 80’s featuring classic Power Pop & Punk acts as Plimsouls, 20-20, Flamin’ Groovies, Shoes, Surf Trio, Barracudas, Stiv Bators, Jeff Dahl, DMZ, Sky Saxon & SS-20, Zeros and Iggy & The Stooges. The concept is: first side power pop, the other side – garage punk, just simple as that and pressed on blue translucent vinyl. Already have posted it on my old blog and here it comes again. Some KILLER STUFF indeed. Dig!!!
This is actually Johnny Thunders & Cosa Nostra (Johnny Thunders, Terry Chimes & Keith Yon) live set from Ireland 27. October 1984. 19 tracks, lots of humor & some surprisingly compassionate comments on the Irish Troubles. Very good quality. 3 of the 19 tracks are different versions of Chinese Rock, leading one to believe that Thunders may have had ADD in addition to all of his other infamous maladies.
”Never the most prolific studio visitor, the late New York Dolls guitarist Johnny Thunders plied his brand of bent-string dementia where it shone brightest: live, and in your face, with no premium on timing, or tuning. Such carping about those factors is wasted on Thunders fans, who cared more about their hero’s screw-you persona, than whatever physical condition he brought to each performance. This album drives that object lesson home once more, being culled from the Heartbreakers’ 1977 tour promoting their ill-fated L.A.M.F. album, which saw powerhouse drummer Jerry Nolan quit over its mixing. The set list is the same that’ll appear on future live releases, but the performance is vicious enough to overlook such considerations. All the standbys are here, including “Chinese Rocks,” one of the most graphic snapshots of heroin addiction ever written, as well as the English putdown “London Boys,” and Thunders’ laconic self-assessment “Born to Lose.” Heartbreakers fans also get an obscure, unissued original in the Bo Diddley-style swagger of “Baby Talk,” the obscure A-side “One Track Mind,” and “Take a Chance With Me,” so the recycling isn’t as shameless as the track listing seems. Second guitarist Walter Lure and bassist Billy Rath provide their usual bullish support. Former Clash refugee Terry Chimes isn’t nearly as flashy as Nolan, but keeps the beat rolling with a damaged panache. As always, Thunders’ vocals and guitar waver all over the place, but his cut ‘n’ thrust bluster gets over on sheer persistence. What frequently sounded stilted on vinyl suddenly makes sense onstage, where the band could unleash its feral fury without worrying about recording levels. For Thunders, the attitude mattered most of all, and there’s plenty for Heartbreakers fans to absorb here. You’ll either like this release or hate it…but, in punk rock, that’s often a compliment.” ~ Ralph Heibutzki, All Music Guide
Great live set recorded at Paris Bataclan in 1977.
Here’s brand new Surfadelic collection dedicated to one of my alltime guitar heroes J.T. As ya know there are loads of Johnny’s collections out there, some are great, some are weak so I decided to gather his rare & lesser know studio recordings and demos from 1979, 1982 & 1990 from various sources and put ’em in one place just fer your listening pleasure. Most of these songs never found a place on the proper studio album which is shame. Some of the tunes feature colaborations with acts as The Chesterfield Kings, Jerry Nolan and Wayne Kramer and the Gang War. Who Do Voodoo, Countdown Love, Help The Homeless, Hey Thanks, King Of The Gypsies… Cool stuff indeed. Don’t miss it, dig!!!
Between January and June 1978 Johnny enrolled producer Steve Lillywhite and recorded a wealth of material which contributed to his first solo album ‘So Alone’. To celebrate the 40th Anniversary of the album Johnny self proclaimed as the best album he ever made, Remarquable Records is releasing a special companion to add further insight to that creative period and showcase a bedevilled artist supported by an unrepeatable cast of friends and musicians which allowed Johnny more time and more control in the studio than he ever had in his truncated life. Consisting of previously unreleased studio recordings ‘So Alonesome’ is an essential sibling to ‘So Alone’. Featured msuicians include Steve Jones & Paul Cook (Sex Pistols); Peter Perrett & Mike Kellie (The Only Ones); Paul Gray & Steve Nicol (Eddie & The Hot Rods); Walter Lure & Billy Rath (Heartbreakers); Phil Lynott (Thin Lizzy); Steve Marriott (Small Faces/Humble Pie); John ‘Irish’ Earle (Thin Lizzy); Chris Wood (Traffic); Chrissie Hynde (Pretenders) & Patti Palladin (Snatch).
Pressed on 180 gram limited edition vinyl, these are alternate mixes of legendary ’78. “So Alone” LP with pretty superior sound to orginal mixes. THIS IS A MUST !!! Vinyl Rip, Dig!!!
Yooo punkerz! It’s pretty hot these days and it’s gonna be hotter with this set of The Hearbreakers ’76 demos & live recordings. You’re already familiar with the L.A.M.F. ‘never ending story’, so disc 1 ‘Raw & Rare’ brings you Staten Island unreleased studio recordings of some of your favorite Heartbreakers tunes and rare stuff featuring Walter Lure and Richard Hell. Disc 2 contains the complete remixed “Speakeasy” live recordings. The Speakeasy show was recorded while L.A.M.F. was being recorded (March 1977) and really captures the Heartbreakers at their peak. This stuff is essential for every Thunders/Heartbreakers fan. So punks… say… dig!!!
One of my favorite songs from “Road To Ruin” Lp.
Check out how Johnny takes another pick at 0:52 , like a gunslinger 🙂
“I’m gonna brag about it
I’m not gonna stay in school
I’m gonna rob and steal
Gonna break every rule
I’m a time bomb, baby
Another pair of my favorite Ramones slabs. “Pleasant Dreams” their 6th studio album produced by Graham Gouldman [member of 10CC, man who wrote “For Your Love”, “Heart Full Of Soul” and “Evil Hearted You” for The Yardbirds] is a 60’s influenced power pop gem with handfull of classics as ”We Want The Airwaves”, ”All’s Quiet On The Eastern Front”, ”The KKK Took My Baby Away”, ”Don’t Go”, ”You Sound Like You’re Sick”, ”She’s A Sensation”, ”7-11”, ”Sitting In My Room”… From my point of view one of their best, better than ”End Of The Centery”. On ”Subterranean Jungle” their 7th Lp, Ramones turned back to their punk rock roots and sound from “Rocket To Russia” era. Interesting is that on this album Walter Lure played most of guitars so the style on some tunes as ‘‘Somebody Like Me” or ”Time Bomb” reminds on The Heartbreakers. Album feature fine covers of ”Little Bit O’ Soul” [The Music Explosion], ”Time Has Come Today” [The Chambers Brothers] and ”I Need Your Love”[The Boyfriends], plus killer originals as “Outsider”, ”Somebody Like Me”, “Psycho Therapy”, “Time Bomb”, “Everytime I Eat Vegetables…”. Vinyl rips by Mr.Eliminator, in <360> binaural Surfadelic sound!
“Sitting in my room
Record player on
Sitting in my room
Humming a sickening tune
Sitting in my room
Something to do soon”
A re-post of first two albums ripped from original vinyl [1st] and real cool UK ’87 reissue of ”Leave Home” on Mau Mau Records [division of Demon Records]. Well, I’ve recently found a rip of 180gr Rhino reissue from 2011. and it sounds pretty lame and shitty, so I decided to post it with my old rip for you to compare. And remember: 180g DOESN’T MEAN GOOD SOUND QUALITY ! Also, you can compare difference between ”It’s Alive” [80s German reissue] and [Audio Fidelity] 2009. reissue. I think it’s better option to go for some 80’s reissues than for nowadays hipsters vinyl. You must choose brothers and sisters, you must choose. And yeah, by the way ”Leave Home” is on the Top10 list of my alltime favorite rock’n’roll records, next to New York Dolls, Stooges, Sonics, MC5, T.Rex, Flamin’ Groovies, The Clash etc… Supercool <360> Vinyl rip by Surfadelic. Check it out!
Everyone’s accusing me
Boston’s proto-punk/power pop rockers the Real Kids have been lionized as legendary through the years that have passed since their short, original run. The few studio recordings they released officially during their lifespan contain great, hook-ridden songs but don’t hint at the true ferocity that fans who caught them “back in the day” swear to. Luckily, Norton Records has blessed the world with Grown Up Wrong, and this incredible live document confirms that every bit of ancient hyperbole about the Kids was true. The tracks are culled from a live radio broadcast, unreleased soundboard tapes, and the band’s two tracks from the seminal Live at the Rat compilation; the Real Kids prove to be just as sweaty and explosive as rumored, far more visceral than their studio recordings ever suggested. For fans of high-velocity, no-nonsense rock & roll, this is the Real Kids record to start with. They may be a bit sloppy and over-amphetamined, but it’s exactly as they were meant to be heard, with full-tilt Rickenbacker riffing and energy that leaks out of the speakers and into the listener. The best cuts are aggressive, sneering put-downs to old girlfriends who, whether they realize it or not, screwed up by walking away; “Bad to Worse,” “Hit You Hard,” and the perfect breakup anthem, “All Kindsa Girls,” are all rousing pep talks for anyone who suffers from a broken heart. Also exceptional is a moving read of “Common at Noon,” a tough but mournful lament over lost love and the passage of time itself (“This ain’t my town/It ain’t like it used to be/When you were still hanging around”). Covers of Eddie Cochran, the Rolling Stones, and Mitch Ryder tunes are tributes to heroes at hypersonic speeds performed at a time when simply showing respect for the roots of rock was a rebellious act. The WCMF broadcast has the best fidelity and focus, though the audience reaction on the club cuts is infectious and enviable. The Real Kids might have burned out too fast, but the scorch can still be felt all these years later, and Grown Up Wrong will assure any true rocker of this remarkable band’s raw brilliance. ~ Fred Beldin
This really is a superb collection of live recordings from Boston’s legendary Real Kids. Straight ahead, high energy, no B.S. rock and roll in the fine tradition of the Ramones, Iggy, Dolls and the MC5 (as the MC mentions in his intro) with the melodic quality of the Beatles and Kinks thrown in for good measure. Do The Boob!