Great sounding ’88 bootlegs, Great band, Great performances. Primitive!!!
Holly Shit!!! A total re-post of this Tacoma, Washington garage-punk wig-out monsters stuff.
“In their contrary way, Girl Trouble may be the ultimate Pacific Northwest rock band; their purposefully lo-fi attack and primitive sound make them one of the few acts that boasts a musical kinship with both Mudhoney and Beat Happening, but they’re clearly influenced by the vintage garage-era sounds of the Sonics, the Wailers, and the Raiders, and their swaggering, snotty outlook is timeless in its own flip-the-bird way. Rough, echo-laden guitar work from Kahuna, simple but hard-hitting drumming by Bon Von Wheelie, subsonic bass work courtesy of Dale Philips, and attitudinal vocals from Kurt P. Kendall that split the difference between Gerry Roslie and Lux Interior. Fold in muscular tunes about cage dancing, alluring but dangerous gals, treacherous men of the cloth, biker gangs, new dance sensations, and all sorts of crazed good times.” [Mark Deming]
A Must for The Cramps, A-Bones, Raunch Hands fans. Dig!!!
“Stick em up baby reach for the sky
Here’s somethin’ new you might like to try
I know a place that’s far from here
where the squares they won’t come near…”
After Psychedelic Jungle, the Cramps experienced personnel and record label difficulties; they would not release another studio album until this one, four years later. Gone here are the tinny sound quality and horror-flick-based lyrics of prior releases, replaced by clearer sonics and an often hilarious obsession with sex (examples of the latter can be found on “What’s Inside a Girl?,””The Hot Pearl Snatch,””Cornfed Dames,””(Hot Pool of) Womanneed,””How Far Can Too Far Go?,” and the uproarious single “Can Your Pussy Do the Dog?”).
There are numerous sly references in the verses to high and low cultural icons, including “Shake it one time for me” (a line from Jerry Lee Lewis'”Whole Lotta Shakin’ Goin’ On”), “I’ll be dancing through the flames/Like a devil in disguise” (a nod to the Elvis Presley hit), and “Now there’s more things in Tennessee/Than is dreamed of in your philosophy” (a paraphrase of a line from Shakespeare’s Hamlet).
Most of the songs here are in various rockabilly-derived styles featuring either garage rock fuzz or Duane Eddy twanging guitar from Poison Ivy. Vocalist Lux Interior is in excellent form here, exhibiting a fair bit of variety within his usual 1950s-derived approach. “Kizmiaz” is unique in the band’s oeuvre, being a smarmy parody of 1960s hippie feel-good music; Ivy joins Interior on vocals here. Intonation is off in a few numbers (notably on “Kizmiaz,””The Hot Pearl Snatch,” and “Can Your Pussy Do the Dog?”), but this is not enough to detract from the overall excellence. This rollicking and energetic platter in particular is the equal of any in their canon, and an essential listen. [David Cleary]
“People ain’t no good.
They never do what I think they should.
So people ain’t no good”
“A Date With Elvis” marks a turning point in The Cramps style & sound. With addition of Bass and Candy Del Mar [actualy Ivy played bass on this record] they swung their image in more glamorous and sex oriented direction than before. Just one look at cover art [one of the sexiest in r’n’r history] and you know this ain’t place for the squares. The Cramps slide through a Rockabilly influenced Garage Punk with some surfin’ tones tossed in for a pretty cool measure. “Can Your Pussy Do The Dog?”is a question of the day. Here kitty kitty… Dig!!!
“Whoa…there’s some things baby I just can’t swallow.
Mama told me that girls are hollow.
Uh-uh…What’s inside a girl?
Somethin’s tellin’ me there’s a whole nuther world”