Two of the most famous 80’s garage revival bands in the battle of the garages. Mono Man vs Rudi Protrudi EPs fight. ”Someone Who’ll Treat You Right Now” is Lyres 4 trax ’85 EP on New Rose records with three great originals and cool cover of The Pete Best Combo ”(I’ll Try) Anyway”. ”Bad News” is ’86 a remake of The Fuzztones debut single plus three cover trax, two of which have landed on classic ”Lysergic Emanations” album. I know ya know but anyways… Check this out!
”Thee Headcoats Sect, a creature with the body of a beast and the hat of a gentleman.”
Already have posted these two slabs, my favorites from 90s garage punk revival and here they are again. Logical & natural, almighty colaboration between the Downliners Sect and their ‘modern days’ garage punk counterparts Thee Headcoats must be a ‘dreams come true’ event for fans of raw r&b/punk sound. And it is!
’96 Lp “Deerstalking Men” is a perfect junction of 60’s The Sonics/Downliners Sect garage rock sound and Thee Headcoats raw punk rumble with faithful remakes of classics as Strychnine, The Witch, Baby What’s Wrong, Why Don’t You Smile Now and probably best versions of some old Billy Chilish/Headcoats/Mighty Caesars tunes like My Dear Watson, Troubled Times, Cowboys Are Square, Lie Detector, I’m A Gamekeeper. Second album “Ready Sect Go!” is kinda spectacular tribute to R&B classics as Howlin’ Wolf, Slim Harpo, Bo Diddley, Muddy Waters… a must for garage blues aficionados and others. ‘Elementary my dear Watson’, Dig!!!
Thee Cybermen was a garage beat band from the Shropshire, England, [not to be confused with US or Finnish Cybermen]. They were influenced by raw revival-beat sound of MEDWAY SCENE and groups like The Prisoners and The Milkshakes. Their albums Borderbeat (1995) and Strange & Cruel (1997) as well as singles were recorded at legendary Toe-Rag Studios, London [analogue based recording studio, recordings for The Kaisers, The Kravin’ A’s, The Masonics, Holly Golightly, Thee Headcoats…]. Now you know what to expect or… you don’t. Anyways… Dig the Fuzz!!!
”Garage revival band from Cincinnati, Ohio. It sounds vaguely like the late 60s, but the tunes on THE CYBERMEN are really from 1988-90. I might just call it bubblegum-pop if it didn’t GROWL at you so loudly, with a power that puts them firmly in garage-rock territory. The closest thing their sound reminds me of is either early work by The Raiders or the current sound of Mondo Topless. This CD-EP collects all 5 songs from a pair of 7″ vinyl releases (both of which I had before getting this) as well as an additional, previously-unreleased track, the eerie, unearthly “Six Million Light Years Down”.
The Kaisers were garage beat band from Edinburgh, Scotland. From 1993 to 2002 they recorded wyld bunch o’ garage/beat lps and singles for No Hit Records, Spinout, Norton, Get Hip, etc. Their style are similar to those of Billy Childish gang The Milkshakes raw 60’s influenced rockin’ beat. During their career The Kaisers recorded several instrumentals, on singles and couple on almost every album. This here is Surfadelic collection of their instros with style ranged from Link Wray inluenced raw hoot to twangin’ Joe Meek production kinda 60s recordings. Short but sweet. Let’s Stomp!!!
”The Bevis Frond’s third album — like the previous two, essentially a solo affair — finds Nick Saloman again exploring things his way, recording what he likes how he darn well likes it. The recording quality is audibly cleaner even only two official albums on from his debut with Miasma, but he loses nothing of his own individual approach to making the music. Some of his brightest, best hooks appear here — it’s no stretch to say that Roger McGuinn and company could have happily placed their own stamp on “Lights Are Changing,” and Saloman delivers both music and lyrics with a warm, delightful air. Other comparatively calm but no less fascinating cuts include “Old Man Blank” and the (self-)conversational descending chime of “Hurt Goes On.” The opening “Into the Cryptic Mist” is actually one of his most interesting, individual pieces, with a lovely central guitar part at the core, changing slightly as it goes while he adds everything from extra electric filigrees to keyboard solos over it. It’s a good demonstration of his skills when not at full overdrive, though he does conclude the piece with one of his more expected nuclear-strength workouts. The second side, meanwhile, contains one of his monsters — “Tangerine Infringement Beak,” a nearly 20-minute-long number. A multi-part song that covers everything from expected full Frond fun to way cool keyboard solos over minimal grooves and back to chiming bells along with the feedback and more, it’s a worthy treat. There’s one delightful diversion early on — “Debbie’s New Song for Drums,” which consists of the young person mentioned in the title having a quick little bash on things. It’s a fun, unself-conscious move from someone comfortable in what he does and doesn’t worry about always having to seem cool — a very good sign.” [Ned Raggett]
Distorted acid guitar neo-psych masterpiece from the king of DIY bedroom recordings. Heavily influenced by the likes of Byrds, Floyd, Hawkwind… Surfadelic vinyl rip reposted by kind request. Get into ”Gemini Machine”, Dig!!!
”Well, they’re dancing all over, yeah
They’re dancing everywhere I go
You know I see ’em on the tv
And I hear it on the radio…”
Missouri’s finest, the Untamed Youth (Deke Dickerson, MACE, Steve “Sammy” Rager, Joel Trueblood) is one of the best groups of 90’s garage/surf revival wave and my favorites next to The Boss Martians, The Bomboras, Man Or Astro-Man, Los Straitjackets etc. They play energetic & fun 60’s influenced frat rock/hot rod/surf music with loads of real cool covers, perfect for wyld beach parties. ”Untamed Melodies” is great best of collection of trax from their first three 1988-1992 Norton lps and 45’s. ”Major Chaos!” is kinda rarities compilation with unreleased songs rare 45’s and stuff from 1987. to 1998. This stuff is A MUST for all you dragsters & surfers out there. It’s almost summer here kiddies and it’s time for some untamed rockin’ beach fun! Do the wobble and the watusi, Dig!!!
”Gonna twist, gonna stomp with you
Do the wobble and the watusi too
Locomotion, here we come
Gonna have some kind of fun”
”Thee Mighty Caesars – punk raconteur Billy Childish’s interim band between the retro-revivalism of the Milkshakes and his ultimate rock & roll expression in Thee Headcoats — were the ideal bridge between the Shakes’ stylish, loyal Merseybeat revivalism and the fully-functioning threadbare punk-rock cathartic songwriting Childish began wielding like a rusty knife once Thee Headcoats had formed. Even though the aesthetic trappings were the most ridiculous of any of Childish’s outfits (the band was pictured and, presumably, performed in togas with leaf wreathes donning their noggins) Thee Caesars allowed him a forum for making a transition between rocker and artist. English Punk Rock Explosion!, a greatest hits compilation, was the only Mighty Caesars album to capture the full scope of this rock & roll culture collision. From brutal guitar instrumentals such as “Death of a Mighty Caesar,” with it’s tribal beat and percussive guitar, to the first recording of the nihilist, venom-spewing anthem “You Make Me Die,” English Punk Rock Explosion! is an unrelenting parade of melodic-yet-raw diamonds in the rough. While this may have been Childish’s least prolific and shortest-lived band, this is a crucial document of DIY punk’s (ancient?) history. Full of all the hubris of youth and tempered by the wisdom of a jaded experience, Thee Mighty Caesars were a force with which to be reckoned.” [Chris Handyside]
Issued in 1988. this lp is kinda like a “Best Of” part 1 [part 2 is ”Surely They Were The Sons Of God”]. Raw lo-fi garage punk action with Downliners Sect 60’s r&b/garage influences. Vinyl rip by Surfadelic. Et tu, Brute? Dig!!!
”For goodness sake, I got the hippy hippy shakes…”
”On 20 Rock & Roll Hits of the 50s & 60s, Thee Milkshakes attempt to inject new life into some old chestnuts and succeed, to a point. Billy Childish and Mickey Hampshire both shred things up vocally and their guitars growl and sting in all the right places, while the lo-fi recording gives the set an authentic feel full of vim and vigor. Their choice of songs to cover is both happily inspired (the Shirelles’ “Boys,” Link Wray’s “Comanche,” Eddie Cochran’s “Something Else,” Chan Romero’s “Hippy Hippy Shake”) and sadly pedestrian (Chuck Berry’s “Carol,” and “Sweet Little Sixteen,” Barrett Strong’s “Money,” Little Richard’s “Rip It Up”).” [allmusic]
When in the mood for some wyld garage beat action I pick this among 100’s of Billy Childish slabs. This is one of my favorite all-covers lps and my fav Milkshakes album too. It brings back memories on those early Hamburg days of The Beatles wyld R’n’R rumble. Vinyl rip by Surfadelic. For goodness sake, Dig!!!
Great garage/mod revival band from Lyon, France. These guys’n gal really dig 60’s garage the right way. On their 2016. debut slab and singles all songs are covers of tunes from Pebbles/Back From The Grave/Girls In Garage kinda comps, done in a real cool and refreshing style & sound. They are one of the best garage revival gang I heard lately. They’re FABULOUS, believe you me! Soon I’ll post collection of 60’s originals they covered, until then Check ’em out!