THE GODFATHERS – Texas Chainsaw Massacre (Live ’89) vinyl rip!

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“I been high and I been low
And I don’t know where to go…”

Attention all ya rockin’ kids!!! This is killer promo live LP issued in 1989. on Epic records. The Godfathers were at full speed on US tour promoting their 3rd album, so they came to Austin, Texas for a show where this live recordings were made. Don’t know how I missed this slab before but here it is now – GREAT sounding 9 trax vinyl rip of Godfathers killer live action. It’s short baby but it’s sweet. Say… Dig!!!

“I cut myself but I don’t bleed
‘Cause I don’t get what I need
Doesn’t matter what I say
Tomorrow’s still another day.”

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THE PLIMSOULS – One Night In America / Beach Town Confidential

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”At a time when rock music was shifting gears, the Plimsouls threw British Invasion into the new wave mix and permanently altered the genre. Fun was the operative word, and bar bands everywhere joined the fray. But the Plimsouls were exceptional because they boasted the talents of singer/songwriter Peter Case.

The band formed in Los Angeles in 1978 and merged roots, retro and guitar rock with a ramshackle punk aesthetic. Case had already collaborated with Jack Lee and Paul Collins in the Nerves, who had some success in 1976 with the single “Hangin’ on the Telephone,” later recorded by Blondie. In 1978, Case met L.A. locals guitarist Eddie Munoz, drummer Lou Ramirez and bassist Dave Pahoa. After one EP, Zero Hour in 1980, and an album in 1981 that contained some stellar power-pop in songs like “Zero Hour” and “Hush, Hush,” it looked like the band were a new wave one-off until a single from the soundtrack to Valley Girl, “A Million Miles Away,” lifted them from new wave obscurity and cemented their reputation. The song remains a timeless classic. An album for Geffen, Everywhere At Once, followed in 1983 with a re-recorded version of the song, but ultimately, the liaison with the label was not a lasting one; the Plimsouls broke up shortly after its release. A testament to their strength as a live band was captured on One Night in America and released in 1988.” [Denise Sullivan]

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“LA’s short-lived but glorious run of The Plimsouls is documented by this loud and proud, high energy concert recording, made in 1981 and left in a bag in guitarist Eddie Munoz’s closet. It runs through 13 songs, mainly from the band’s Planet Records’ debut album, four covers and an early version of The Plimsoul’s signature “A Million Miles Away.”

“One Night In America” captures the band’s unique mix of progressive punk and power pop in a tight, sometimes messy, energetic performance. Featuring classic tunes such as ‘A Million Miles Away’ and ‘How Long Will It Take’, the band also included a few covers such as The Kinks’ ‘Come On Now’ and The Outsiders’ ‘Time Won’t Let Me’, here in all their raw, live glory.”

 

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“Beach Town Confidential” captures a stunning live performance by power-pop purveyors The Plimsouls at the band’s pinnacle, during the summer of 1983. Recorded at the now-defunct Golden Bear in Huntington Beach, Calif., the incendiary 17-song set finds the foursome charging through a particularly inspired set of hook-filled originals and some smartly-chosen covers.

Led by the passionately soulful vocals of Peter Case and the slashing, melodic guitar work of Eddie Munoz (complemented by a tight rhythm section in bassist Dave Pahoa and drummer Lou Ramirez), “Beach City Confidential” offers the best sound of any Plimsouls live recording that has surfaced to date. (It was produced and mixed by Case from the 24-track masters.) In addition, the set list provides a fine overview of the band’s best-known originals from their two full-length albums (including the alternative radio biggie “A Million Miles Away,” “Zero Hour,” “Now” and “Oldest Story in the World”), alongside some rarities (such as the smoldering surf instrumental “Hobo,” which was originally released as a B-side).

As powerful as the originals are here – and the readings of “Oldest Story in the World” and “How Long Will it Take” positively smolder – the band’s choice of covers is where Beach City Confidential really shines. Many of these have never appeared on any Plimsouls release until now; Moby Grape’s “Fall On You” and the Creation’s “Making Time” are particularly well-suited to the Plimsouls’ sound, and the band amps ‘em up a bit, throws ‘em into overdrive and makes them their own. Versions of the Everly Brothers’ “Price of Love” (with guest vocals by the Williams Brothers) and the Flamin’ Groovies’ “Jumpin’ in the Night” (with Keith Streng of the Fleshtones sitting in on guitar) are also quite fine, and showcase the Plimsouls’ love of ‘60s pop and classic power pop,respectively.” [Goldmine]

 

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JOHNNY THUNDERS – Belfast Rocks

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This is actually Johnny Thunders & Cosa Nostra (Johnny Thunders, Terry Chimes & Keith Yon) live set from Ireland 27. October 1984. 19 tracks, lots of humor & some surprisingly compassionate comments on the Irish Troubles.  Very good quality.  3 of the 19 tracks are different versions of Chinese Rock, leading one to believe that Thunders may have had ADD in addition to all of his other infamous maladies.

 

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JOHNNY THUNDERS & THE HEARTBREAKERS – Vive Le Revolution!!

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”Never the most prolific studio visitor, the late New York Dolls guitarist Johnny Thunders plied his brand of bent-string dementia where it shone brightest: live, and in your face, with no premium on timing, or tuning. Such carping about those factors is wasted on Thunders fans, who cared more about their hero’s screw-you persona, than whatever physical condition he brought to each performance. This album drives that object lesson home once more, being culled from the Heartbreakers’ 1977 tour promoting their ill-fated L.A.M.F. album, which saw powerhouse drummer Jerry Nolan quit over its mixing. The set list is the same that’ll appear on future live releases, but the performance is vicious enough to overlook such considerations. All the standbys are here, including “Chinese Rocks,” one of the most graphic snapshots of heroin addiction ever written, as well as the English putdown “London Boys,” and Thunders’ laconic self-assessment “Born to Lose.” Heartbreakers fans also get an obscure, unissued original in the Bo Diddley-style swagger of “Baby Talk,” the obscure A-side “One Track Mind,” and “Take a Chance With Me,” so the recycling isn’t as shameless as the track listing seems. Second guitarist Walter Lure and bassist Billy Rath provide their usual bullish support. Former Clash refugee Terry Chimes isn’t nearly as flashy as Nolan, but keeps the beat rolling with a damaged panache. As always, Thunders’ vocals and guitar waver all over the place, but his cut ‘n’ thrust bluster gets over on sheer persistence. What frequently sounded stilted on vinyl suddenly makes sense onstage, where the band could unleash its feral fury without worrying about recording levels. For Thunders, the attitude mattered most of all, and there’s plenty for Heartbreakers fans to absorb here. You’ll either like this release or hate it…but, in punk rock, that’s often a compliment.” ~ Ralph Heibutzki, All Music Guide

Great live set recorded at Paris Bataclan in 1977.

 

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THE CRAMPS – Live At Clutch Cargo’s 1982. [Bootleg Vinyl Rip!]

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… And when ya think you know it all you’re dead wrong baby.

Here’s somethin’ you couldn’t even dream of. Grrrreeat sounding bootleg of unreleased ’82 live show from Clutch Cargo’s Detroit, featuring Terry Graham of The Gun Club on drums.  The Cramps are on top of their game with psychotic interplanetary perfomance of infamous garage punk-a-billy underground hits as New Kind Of Kick, Goo Goo Muck, Potentate Of Love, You Got Good Taste, Five Years Ahead Of My Time, Zombie Dance, Mystery Plane, Sunglasses After Dark, Garbage Man, The Way I Walk… 18 trax of de Lux extravaganza. Hey baby say… Dig!!!

”I got somethin’ to say to you and you better listen
I’m’a tell ya how to be cool in one easy lesson…”

 

[Special thanx to JP STOOGES for this supercool vinyl rip!!!]

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THE JON SPENCER BLUES EXPLOSION – Live @ VPRO Radio [11.8.2004]

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“…Number one in Philadelphia
Number one in D.C.
Number one in Chicago
Number one in Detroit
Number one in Austin
Dallas, San Francisco, Los Angeles, Portland, Vancouver
We’re number one in New York City, Oklahoma City,
Cincinnati, Mississippi
I said the blues is number one”

 

Your favorite blues punkers recorded live at legendary Dutch radio on their “Damage” 2004. tour. Twin guitar, drums & no bass raw rockin’ garage punk action with stuff like Help These Blues, Burn It Off, Cold, Cold Eyes, Grindin’, Bellbottoms, Sweet N Sour, She Said, Wail, Soul Typecast, Shakin’ Rock’n’roll Tonight, Rattling… 16 songs, 47 minutes… Sound check by Mr.Eliminator… Say… Dig!!!

 

PLAY THE BLUES… PUNK!

 

BUZZCOCKS – Beating Hearts / Small Songs With Big Hearts [Live! 1978/79]

 

And now the real punk classics! Legendary Manchester pop punkers 70’s live action issued on two double LP sets by Get Back records. ‘Beating Hearts’ recorded live at Apollo theatre, Manchester in ’78 and ‘Small Songs With Big Hearts’ from London Rainbow theatre ’79. Almost feel like I’m Sixteen Againalright, Dig!!!

 

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FLAMIN’ GROOVIES – Singles / Demo / Live / Bootlegs [70’s Mega Pack]

 

 

 

Ugh! Gorgeousness and Gorgeousity! An overkill of Groovie’s stuff. As you know Flamin’ Groovies were one of those high octane rock’n’roll groups of 60’s and 70’s same caliber as MC5, The Stooges or New York Dolls, so they deserve special Surfadelic treatment. Here we have some their 70’s singles, rare recordings and live stuff issued during several decades in various variations.

‘Slow Death’‘ – Trying to collect the Flamin’ Groovies can make you crazy. There are so many releases outside of their handful of official releases that it is hard to know which of the bootlegs, live shows, and demos you should get. Well, you definitely need this one. It focuses on the years after original wildman singer Roy Loney left the group and before the legendary Shake Some Action LP was released (October 1971 to July 1973, to be precise). The first six songs are self-recorded demos from 1971 and have been released a few times before, most notably as Grease on the Dog Meat label, but this is the first issue authorized by the band.”

”In Person!!!” – Live KSAN-FM broadcast from the closing of the Fillmore in San Francisco 1971. Great live garage sound! I Can’t Explain / Sweet Little Rock n’ Roller / Have You Seen My Baby / Road House / Doctor Boogie / Slow Death / Shakin’ All Over / Teenage Head / Louie Louie / Walkin’ The Dog / I’m A Man / Headin’ For The Texas Border.

 

 

 

”Sixteen Tunes: The Goldstar Tapes + More” – Same stuff as ”Grease: The Complete Skydog Singles Collection” Or “the great lost Groovies album,” filling some holes in the group’s discography. 16 Tunes combines the contents of the EPs Grease, Supergrease, and The Gold Star Sessions on one disc. The sound is raw, due to the fact that much of the material was outtakes and demos, and because Skydog never had ideal sources. Still, these are the Groovies in their prime years, and their energy and enthusiasm compensate for a multitude of technical flaws.

”I’ll Have A… Bucket Of Brains” The original 1972 Rockfield recordings Produced by Dave Edmunds. A personnel re-formation took place prior to the Flamin’ Groovies relocation to England, where the Rockfield sessions were held in August of 1972. The lineup now featured Chris Wilson (vocals , guitar) and James Ferrell (guitar), who replaced Roy Loney and Tim Lynch . Dave Edmunds immediately took to the Groovies, especially Jordan and Wilson’s power pop masterpiece “Shake Some Action.” In fact, Edmunds’ enthusiasm would almost immediately instigate Jordan’s equally inspired “You Tore Me Down,” which was written and recorded on the spot. Just as impressive are the cover versions of Frankie Lee Sims’ “Married Woman,” “Get a Shot of Rhythm & Blues,” and “Little Queenie.”

 

 

”Home To Roost” – Very rare Groovies LP collection of singles ’72-’75, studio recordings taken from various sources, plus several rehearsals recorded in San Francisco in 1971. 1. I Can’t Explain 2. Little Queenie 3. Married Woman 4. Get A Shot Of Rhythm And Blues 5. Talahassee Lassie 6. You Tore Me Down 7. Him Or Me 8. Jumpin’ Jack Flash 9. Blues From Phillys 10. Let Me Rock 11. Dog Meat 12. Sweet Little Rock ‘N’ Roller 13. Slow Death

Live At The Roxy L.A. 1976. & Live In San Francisco 1979. – Solid quality Bootlegs.

 

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