THE ACTION – Action Speak Louder Than… [1968/1985] ViNyL RiP !!!

BenQ DC S1410

 

The Action were UK 60’s mod band that played soul-influenced pop music. You’re already familliar with their mid-60’s tunes featured on Edsel comp. ”The Ultimate Action”.  This here is their mini LP issued by Dojo records in 1985. with unissued tunes from 1968. before they became Mighty Baby. From my money,  these are their most superior recordings. If you like Open Mind, The Attack and stuff this is fer ya. Ace mod/pop/psych in Surfadelic <360> action sound! Dig!!!

 

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THE KINKS – Kinks / Face To Face [Stereo Vinyl Rips!]

 

The Kinks are one of the most important Brit invasion bands that influenced 60’s garage rock sound. Here you got their ’64 debut, rockin’ r&b/beat slab with covers of Chuck Berry, Bo diddley, Slim Harpo, Lazy Lester, and some classic R.Davies tunes So Mystifying, Just Can’t Go To Sleep, I Took My Baby Home, You Really Got Me, Stop Your Sobbing. ”Face To Face” is their 4th studio album released in October 1966. The album marked the band’s shift from the hard-driving style of beat music, catapulting them to international acclaim. Being their first album consisting entirely of Ray Davies compositions, it has also been regarded by critics as rock’s first concept album.” Bought these stereo reissues in 1989., they still sound nice today. I know you know but then again… Vinyl rip by Mr.Eliminator. Dig!!!

 

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THE BIRDS vs THE EYES [Killer 60’s Mod/Freakbeat]

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More freakbeat at Surfadelic. These two London garage gangs made some of the best examples of mid 60s mod/freakbeat sound. The Eyes with their ’65/’66 singles trax  When The Night Falls, I’m Rowed Out and You’re Too Much were more than equal rivals to The Who [even made parody with ”My Degeneration”]. The Birds, Ron Woods’ first group were R&B influenced hard rockin’ Mod band that recorded several singles for Decca records from ’64 to ’66, with You’re On My Mind, killer cover of Leaving Here, Next In Line, No Good Without You Baby, How Can It Be and final ’66 single Say Those Magic Words. In 1966, they did a cameo appearance in the horror film The Deadly Bees, performing their song “That’s All I Need you For”. Shame, neither of groups made an lp but you could hear ’em on various comps as The Perfumed Garden, Nuggets II, English Freakbeat etc. Say Those Magic Words… Dig!!!

 

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THE ATTACK – Magic In The Air [UK 60’s Freakbeat/Psych]

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Cool comp of this London mod/psych crew ’67/’68 recordings, including singles and some unreleased stuff. You could hear ’em on ”Electric Sugarcube Flashbacks”, ”Broken Dreams” or ”The Rubble Collection” collections. Best trax are killer freakbeat as Magic In The Air, Any More Than I Do, Colour Of My Mind, Feel Like Flying, Mr Pinnodmy’s Dilemma, Freedom For You, Strange House Interesting is Magic In The Air” riff reminds on Ramones ”Beat on the brat”. Anyways, fans of British 60’s freakbeat/psych and group like Open Mind, Les Fleur De Lys or The Action gonna like this. Check it out!

 

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SMALL FACES – Ultimate Collection

Small Faces-Ultimate

”I want you to know that I love you baby
Want you to know that I care
I’m so happy when you’re round me but I’m
Sad when you’re not there
Sing the song now!”
(Whatcha Gonna Do About It?)

”English rock band from East London, founded in 1965 by Steve Marriott (lead vocals, guitar), Ronnie Lane (bass guitar), Kenny Jones (drums), and Jimmy Winston (keyboards). By 1966 Winston was replaced by keyboardist Ian McLagan.
Initially influenced by American rhythm & blues, the band is remembered as one of the most acclaimed and influential mod groups of the 1960s, with hit songs such as “Itchycoo Park”, “Lazy Sunday”, “All or Nothing”, “Tin Soldier”, and their concept album “Ogdens’ Nut Gone Flake”. Eventually they evolved into one of the UK’s most successful psychedelic acts of the late 1960s before disbanding in early 1969 after Marriott’s departure. The three remaining members were joined by guitarist Ron Wood and lead vocalist Rod Stewart, both from the Jeff Beck Group, and the new line-up was renamed to Faces (3). The original Small Faces reunited in 1975 and remained active with further line-up changes until 1978.”

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”Crucially, this is the first compilation to draw on the entire Small Faces back catalogue. It’s all here, from the raw power of their early R’n’B releases, such as ”Watcha Gonna Do About It?” and ”Sha-la-la-la-lee” to their unique brand of late-Sixties Cockney psychedelia, typified by the sing-a-longa hits ”Itchicoo Park” and ”Lazy Sunday”. All fourteen singles are included, along with most of their B-sides, plus a stash of tracks from their albums From the Beginning (1966), Small Faces (1967), the classic Ogdens Nut Gone Flake (1968) and the posthumous round up of hits and misses, The Autumn Stone.

They helped invent what we now think of as the Swinging Sixties, and this double CD tells their story. The first CD, spanning the Decca years, emphasises what great songwriters Marriott and Lane were so early in their career. ”One Night Stand” and ”I Can’t Dance With You” are superior versions of the blue-eyed R’n’B that so many beat groups of the period were producing. The influence of the Small Faces on the pop to come is clear: ”E too D” has Steve Marriott rasping the blues like a young Robert Plant.

The band’s releases on Andrew Loog Oldham’s Immediate label make up the second CD. Here are the classic late-Sixties singles, ”Here Comes the Nice”, ”Tin Soldier”, ”Itchycoo Park” and ”Lazy Sunday” (how ”The Universal” ever made it to seven-inch, though, is a mystery). The epic ”Afterglow (of Your Love)” is, perhaps, Marriott’s strongest vocal performance and ”The Autumn Stone” one of his most tender moments. His tongue is firmly in cheek on the music-hall knees-up ”Happydaystoytown”. Mustn’t grumble, though. ”Green Circles” and ”Up the Wooden Hills To Bedfordshire”, from Small Faces, are classic British psychedelia. ”Get Yourself Together” and ”Talk To You”, the flip to ”Here Comes the Nice”, are sound rockers with terrific hooks. If all you know is ”Itchycoo Park”, bunk off school with this collection. It’s all too beautiful…” [Rob Webb]

Small Faces

There have been many Small Faces collections over the years. I‘ve already posted ”The Decca Anthology” and ”BBC Sessions” but this collection is probably the best Small Faces comp out there as most comprehensive overview of their entire Decca / Immediate years. 50 trax of 60’s mod brilliance. You can hear their echoes in MC5 [”E Too D”] or Led Zep [”You Need Loving”]. All Or Nothing, Dig!!!

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B-E-A-T-F-R-E-A-K ! Vol.5-8 [Rare 60’s UK Mod/Beat]

 

More volumes of this solid comp. series of obscure UK 60’s freakbeat/mod/pop. As with previous vols, some cool stuff mixed with some so-so and lame tunes, the choice is yours. This is not the original rip but trax have been gathered from other sources. Anyways, sound quality is pretty fine so check ’em out!

Link for other four volumes Beat!

 

 

 

IT’S HAPPENING Vol.1-13 [60’s Mod/R&B/Soul]

 

Here’s complete lp comp. series with cool mix of of some rare late 60’s/early 70’s Mod, Soul, Funk, R&B, Lounge dance tunes. It’s kinda mod overdose… Well, IT’S what’s HAPPENING alright, Dig!!!

[Special message for sunnyboy66 – Take it easy man ok?!]

EP CHOICE – From The Rare Mod EP Collection

EP Choice - From The Rare Mod EP Collection

 

Interesting collection of rare and demo recordings by 60’s mod acts as Steve Marriott’s Moments, The Fleur De Lys, The Mule Skinners, The Richard Kent Style, Sharon Tandy , The Clique… It’s a mix of garage, r&b, mod & soul tunes. I’ve added bonus The Afex ”She’s Got The Time” E.P. for a good measure. Check some favs below, Dig!!!

 

 

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JOHN’S CHILDREN – A Midsummer Night’s Scene [60’s Mod/Psych]

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John’s Children were a 1960s pop art/mod rock band from Leatherhead, England that briefly featured future T. Rex frontman Marc Bolan. John’s Children were known for their outrageous live performances and were booted off a tour with The Who in Germany in 1967 when they upstaged the headliners. Their 1967 single “Desdemona”, a Bolan composition, was banned by the BBC because of the controversial lyric, “Lift up your skirt and fly.” Their US record label delayed the release of their album, Orgasm for four years from its recording date due to objections from Daughters of the American Revolution.

 

 

John’s Children played at The 14 Hour Technicolour Dream concert at the Alexandra Palace in London on 29 April 1967. Bolan left in June 1967, after only four months with the band, following disagreements with the way Napier-Bell was producing the band’s next single, “A Midsummer Night’s Scene“. The single was never released, but in its place the B-side of “Desdemona“, “Remember Thomas à Becket” was re-recorded with new lyrics and released as “Come and Play with Me in the Garden”. Bolan went on to form folk duo Tyrannosaurus Rex

John’s Children were active for less than two years and were not very successful commercially, having released only six singles and one album, but they had a big influence on punk rock and are seen by some as the precursors of glam rock.” [wiki]

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A re-post of my fav anarcho-mod rockers managed by Yardbirds manager Simon Napier-Bell. This is a Bam-Caruso ’88 collection of their ’66/’67 singles plus Andy Ellison solo 45 “It’s Been a Long Time/Arthur Green“. They have been featured on many freakbeat/psych comps over decades so you sure heard songs as Desdemona, Jagged Time Lapse, Remember Thomas À Becket, Go-Go Girl, Midsummer Night’s Scene… On But She’s Mine you can hear Jeff Beck ‎ guitar rumble, real cool ain’t it! I’ve added one bonus track, ”Let Me Know” from their ‘live’ album ”Orgasm”, so you could hear where The Clash got idea for ”Should I Stay or Should I Go”. Smashed Blocked !!!