“These Oregon devils truly smoke like hellfire.”
”Taking their name from the 1960s B-movie Satan’s Sadists, Portland, Oregon’s Satan’s Pilgrims’ spirited blend of retro-surf and foot-stomping garage rock evokes the raw power and instrumental prowess of the Ventures, the Sonics, the Wailers, and the Kingsmen — it also draws from horror movies, Joe Meek productions, and the British Invasion. Like contemporaries and labelmates the Fathoms and Space Cossacks, the band caught the resurgent early-’90s surf rock wave brought forth by the arrival of Quentin Tarantino’s Pulp Fiction, which reintroduced the world to Dick Dale’s “Misirlou,” and rode it to nominal commercial success via essential outings like Around the World with Satan’s Pilgrims (1997) and their eponymous fifth studio long-player (1999). The group disbanded in 2000, but reconvened for a series of shows in 2005.” [AllMusic]
”In this collection included are songs from some of their singles, compilations, and live recordings, but most exciting to their fans, is the inclusion of previously unreleased tracks from the archives, and songs from local Portland cassettes, including their very first release-a six song cassette originally put out by a then new upstart label in Portland called Cavity Search Records.”
Another volume of this cult LP series with early to mid 60s rare & obscure rockin’ tunes. Here you got Rockabilly, Garage Rock, Beat, Frat Rock, Hillbilly tunes and couple of fine instros. It’s greasy, it’s cool… gotta Dig!
[Check out other volumes of this super-cool series in ‘ROCKABILLY/TRASH/R&B comps’ section]
Here’s complete, now a classic lp compilations series of rare & wyld 50’s/60’s R&B, Blues, Jump Blues, Country Blues, Blues shouters, stompers and rockers. BLUES BLUES BLUES, all kindsa blues. There are some great volumes and some so so but you gotta dig anyways. This is rhythm & blues overdose! All right, Blues, Blues, Blues! Come on in Blues lovers!
[Special thanx to Gyro1966 from twighlightzone]
Stompin’ 1 Stompin’ 2 Stompin’ 3 Stompin’ 4 Stompin’ 5
Stompin’ 6 Stompin’ 7 Stompin’ 8 Stompin’ 9 Stompin’ 10
Stompin’ 11 Stompin’ 12 Stompin’ 13 Stompin’ 14 Stompin’ 15
Stompin’ 16 Stompin’ 17 Stompin’ 18 Stompin’ 19 Stompin’ 20
Stompin’ 21 Stompin’ 22 Stompin’ 23 Stompin’ 24 Stompin’ 25
Stompin’ 26 Stompin’ 27
Though they never received the recognition they deserved, Squire was undoubtedly one of the earliest and finest Mod Revival bands of the late 70s. Squire were able to transcend the limits of the genre with their high quality pop which drew equal parts from punk spirit and the 1960s.
Named because they rehearsed above a shop called Squires, this lot went to school with Paul Weller in Woking, Surrey and formed in Guildford not long after JAM as a covers band consisting of Enzo Esposito (vocals/bass), Steve Baker (guitar) and Ross Di’Landa (drums).
In June 1978, songwriter/guitarist Anthony Meynell joined just prior to a high profile gig opening for The Jam. The addition of Meynell changed the band’s focus to producing original material, and by 1979, they had released their first single for ROK Records, Get Ready to Go.
‘Get Ready’ focuses on the early work of the original lineup from their mod days. This release supplants Hits from 3000 Years Ago by picking the highlights (most of the album) and combining their first single, the brilliant “Get Ready Go,” with B-sides, previously unreleased material, a track from the Odd Bods, Mods and Sods compilation, and a track from a fan club release.
Somewhere between the delicate power pop of Shoes and the classy British pop of mid-period Jam sits the wonderful world of Squire. No, not Billy “The Stroke” Squier. This is Squire, the groovy mod trio fronted by Anthony Meynell, one of pop music’s unsung heroes. Spanning the years 1980-1984, this exceptional compilation concentrates on the latter half of the band’s career, and contains almost their entire Get Smart album. By this point in the band’s career, Meynell had tired of the musical restrictions that the mod scene had thrust upon him. Adding more overdubs in the studio (including a horn section), Meynell created some of the brightest, most exhilarating, guitar-based pop music of the early ’80s. Sidestepping such influences as the Who and the Kinks, and embracing Lennon’s edge from the Beatles (“No Time Tomorrow”), and the bright, sunny vibe from the Monkees (“Standing In The Rain”), Squire did not create disposable pop, they created timeless pop. Many of these tracks could have been released in the mid-’60s or even in the early ’90s at the height of Brit-pop. “Every Trick In The Book Of Love,” “You’re the One,” “My Mind Goes Round In Circles,” “Girl On A Train,” “Stop That Girl,” and “Take A Look” are nothing less than perfect pop songs. When Meynell puts down his pen and records a cover version (including Shoes’ “Boys Don’t Lie” and Big Star’s “September Gurls”), the results are nothing less than Squire-like. Mod and power pop fans should keep their eyes peeled for this gem of a CDs. It’s worth the hype![Stephen SPAZ Schnee]
This is brand new volume of 60’s rockin’ instrumental fun made by my dear friend Jose from Spain [Tommentonenlacuadra blogspot]. As you know, this now a classic series has real high quality standards, so you can expect some kick ass instro stuff from surf and hot rod to garage rock, r&b and lounge genres. It’s a non stop hot instro action featuring The Catalinas, The Swanks, T he East Side Kids, Thee Midniters, Don & The Goodtimes, Hal Blaine & The Young Cougars, The Rumblers, The Beachcombers, The Crossfires, Adams Boys, The Underground Set, The Beatstalkers, The Velvetones… 20 trax of upbeat 60’s instrumental fun for your next wyld r’n’r party! Check some favs down below! You gotta dance dance dance, you gotta dig dig DIG!!!
Holidays in Serbia Vol.6
Past volumes available:
My favorite Andre W, slab
R.I.P. Mr. Rhythm
”I don’t care who you are,
Cause I’m the man with a star on the car!
Bad mother fu*cker!”
Three vols 10” vinyl series of killer rare 50s/60s rockers. Here you got wyld rock’n’roll, garage, beat and R&B obscurities from long gone era. One of the best comp series I heard lately. Loads of cool stuff. Don’t miss it!
“Got that rabbit on the run, chase that rabbit with my gun
No long-ear rabbit laugh at me (I’m here, mail-special! hehehe)
Got a great big rabbit-trap, long-ear rabbit don’t know that
The cotton-tale’s gonna change his habbit (I hates rabbits!)…”
Issued in 1988. on French label GMG, ”The Madness Invasion” three volumes compilation series is one of the best source of US late 50’s/early 60’s Trash Rock’n’Roll and novelty tunes next to ”Wavy Gravy” and “Big Itch” comps. Volume 2 is my favorite part of this series, with such ace trax as Surfin’ Bird-alike ”One Potato” by The Elite [band from ”Back From the Grave” vol.1], “Crazy Talk” by The Loafers, ”Ballad Of A Juvenile Delinquent” by Phil Johns & The Lonely Ones, killer “She’s A Bad Motorcycle” The Crestones, “Rumble Rock” by Kip Tyler, “I’m The Wolf Man” by Round Robin, hilariously mad “I Hates Rabbits” by Jerry Neal, “Wombie Zombie” by Billy Taylor & The Tear Drops, “Goodbye Baby” by The Roxsters… Also there are four cool instros as crazy “Roo-Buh-Doo-Buh-Doo” by The Statesmen, Bo Diddliesque “Boom Stix” by Curley & The Jades, real cool “Expressway” by the Crazy Crickets and mysterious “Like Weird” by Tommy Falcone & The Centuries that closes this great volume. The other vols of this series you can find in Rockabilly/Trash/R&B section of this blog. Now, this is A MUST alright! you gotta dig, dig, DIG!!!
“…The rabbit’s swimmin’ in the river
I’ll just wait ’cause I’m no swimmer
To catch a rabbit’s lots of plannin’
(Oh boy) (Man, what a champion) (I hates rabbits!)”